We have been invited to this festival for the first time. It will be put on by the same local artistartist who put on the Boca Grande Invitational Art Festivalannounced in June (which reminded us why intelligent artists in Florida stop participating in art festivals after the first weekend in May – it is hot, and people tend to stay inside with the air conditioner (and their wallets)).
This festival will be held on Saturday, November 30 & Sunday, December 1 – Thanksgiving weekend. (For what it’s worth, Nancy & my anniversary falls on Thanksgiving this year). There will only be sixty artists on the grounds of Englewood Bank & Trust, 1111 S. McCall Road in Englewood. Hopefully, you can find more information on their Facebook page @EnglewoodArtFestival as it becomes available.
We have been accepted into this art festival for the fourth timeprevious. This time the festival, which will be Saturday, October 19, from 9 am to 5 pm, and from 10 to 4 on Sunday, will be held at Space Coast Daily Park at 6091 Stadium Parkway in Viera, Florida (32940). This is a new 30-acre outdoor event and entertainment venue for Brevard County.
In addition to the 90 artists, they will have live art & music performances, a food court, kids entertainment, and a student art show. You can find more information on their website, Space Coast Art Festival, as it becomes available. They are expecting only 14 thousand visitors this year, but we are still looking forward to a good festival.
For what it’s worth, the people putting on this show have been scrambling since the City of Cocoa Beach wrongly started messing with them five years ago. Last year we had the opportunity to work with their new competition, the Cocoa Beach Art Show. Dealing with the lady in charge was not exactly a pleasure; she claimed to have well over ten years of experience in running a five-year-old festival and still didn’t understand her own festival rules as they were written (she made us take down Nancy’s hand-made notecardssample because notecards were mentioned as an example in a rule prohibiting mass-produced merchandise).
Now that Space Coast has a stable new venue and time, I fully expect them to return to to the highest level, as established by over fifty years of greatness (as indicated above, we haven’t been there all of those fifty years).
For the last couple of summers, Nancy has been working hard to ‘branch out’ with a larger selection of (native) butterfly host and nectar plants around the yard to bring a greater variety of butterflies to the neighborhood. It is starting to pay off. Besides our Monarchs, we’ve seen more Zebra Heliconians (our state butterfly, formerly known as the zebra longwing), we’ve seen Polydamas and Giant Swallowtails, we’ve seen one of the Duskywings (the Zarucco, I think), a few Sulphurs, and even some Atalas. We’ve recently seen chrysalises of the Atalas and then the Giant Swallowtails. Earlier this month, I expanded our explanation of the Atala Butterfly life cycle on that page of our website (www.BeeHappyGraphics.com/gallery/atala.html). Now I’m going to tell you a few things about the life cycle of a Giant Swallowtail Butterfly.
For this discussion, we will start with a single, 1 to 1.5 millimeter (just under 1/16“) cream to brown colored egg with orange secretions, on the upper surface of a leaf. It is laid on members of the citrus family, the giant swallowtail’s host plants, represented in our case by wild lime. The egg lasts four to ten days before hatching, depending on the temperature and host plant.
The larva (a.k.a. caterpillar) then goes through five instars (periods between molts) which, unlike the monarch butterfly instars, all look different. The first instar has hairs. The next instars have been compared to bird poop. The younger instars are more realistic-looking as bird droppings with more contrast than the later instars (shown in Figure 2). They rest on top of the leaf and are nocturnal (which makes sense – being seen moving around during the day could blow their disguise). The more mature instars rest on the stems and have been theorized to resemble small snake heads. These caterpillars also have a red, antenna-like osmeterium, which is not usually visible (and which we have not yet seen).
After three or four weeks, when it reaches a length of about two inches (5 cm), the larva will pupate. It could form the chrysalis (not to be confused with a ‘cacoon’, which is just an outer protective cover spun by a moth larvae for their chrysalis) right on the stem of the host plant (unlike the monarchlife cycle, who because its host plant is an easily devourable species of milkweed, must travel up to twenty feet to find a safe place to pupate, or the Atala, for which all sibling larvae pupate together so they don’t have to worry about their late-developing siblings coming by and eating them onto the ground), or it could travel a short distance to a vertical surface. As seen in the above picture, the chrysalis hangs tail-down at an angle of about 45° to the structure with its top suspended from silken threads. The pupa (a more general name for chrysalis that can be also applied to all metamorphizing insects, not just butterflies and moths) will last from ten to more than twelve days before emerging into an adult. Unlike the monarch, we have not noticed the giant swallowtail chrysalis changing color over time.
As shown in Figure 3, the adult is black with yellow trim on the top, and could possibly be confused with other black-and-yellow swallowtails like the Black Swallowtaildescribed (and very-rarely-seen species like the Schaus’described and Bahaman Swallowtailsdescribed). The underside of this butterfly (not shown (yet)) is predominantly a light yellow. The adult lives six to fourteen days. This butterfly lives in the near-coastal areas from Florida through the Carolinas (compared to the black swallowtail, which extends north just beyond Massachusetts).
Nancy took all of the pictures shown in this article. As you noticed, we haven’t yet photographically documented the entire life cycle of this butterfly, and I don’t know when Nancy will be satisfied enough with her pictures to add an image of the giant swallowtail to our commercial collection. We’ll just have to wait and see.
We were in the Flamingo campground of Everglades National Park for Christmas. We had made our reservations in August, but when the federal government shut down we were concerned, so we called them. Turns out there were no rangers, so nobody was collecting the $25 park entrance fee (we had already paid the campground fee), but the gates were not locked and their concessionaires were manning the visitor center and keeping the facilities functional. This is considered the busy season for this park and they get a lot of international visitors (who were predominantly Chinese on this trip).
The first day we went canoeing to Snake Bight, which is the bay to the left as you paddle out the channel. We followed that small unmarked channel along the shoreline as far as it would go – technically further, because for the last half of our route the water depth was probably about an inch less than our draft. It is really soft mud in that section, which cut our cruising speed to below two miles an hour. It was an incoming tide; otherwise one would have to be careful not to get stuck. If you tried to get out of the canoe you would sink up to your knees, so if you did get stuck you would have to wait for the next high tide, which could be up to twelve hours later. We did see, and get pictures of a number of birds feeding on the flats, including plenty of roseate spoonbills (sorry, no flamingos this time). Below is a picture of Nancy at work. As you can see, the “channel” is to our right and the mud to the left. Ahead is a flock of white pelicans. This channel would peter out just a little ways ahead – still a little too far away to get good pelican shots.
Fate Of The Osprey Nest
The osprey nest that was the subject of Nancy’s current favorite image, Osprey Family, is gone. The whole snag was blown over during Hurricane Irma fifteen months ago.
Nancy took this overview a minute later. Both were taken in March 2016, while we were on a trip to Antarctica. The mountains (and snow) in the first picture should have told you “we’re not in Kansas (or Florida), anymore.”video The moon in both pictures is waxing (growing) gibbous (more than half full), meaning the full moon would be five days later. Those are Gentoo penguins you see in this picture. She took these photos on the way back to the ship after our morning excursion, as I remember.
Although I was a bit surprised nobody mentioned that the moon, as the subject of the first picture, was too centered, thus violating the rule of thirds, one member of my camera club did think the image confusing because she wasn’t sure what the subject was. That was a completely valid point and was probably why Nancy had to be coaxed into taking that picture. The overview shown above might be better in that respect, but here is why I (the technical support guy) found the image interesting:
The moon and the sun follow similar paths across the sky and the lighted part of the moon always points directly toward the sun along that path. Every time I’ve ever seen the moon just above the horizon, it was pointing almost straight up (or down). The moon in these two pictures is pointing to the left, a difference of almost 90° from my normal.
The mountains give almost no locational clue, but the snow at sea level tells you that we are not that close to the equator and the penguins tell us which hemisphere we are in (the specific species will narrow down the possible locations even further). The angle of the moon does the best job, however, of narrowing the geographical possibilities – showing that we were close to the (Ant)arctic Circle.
To get the same effect with Photoshop wouldn’t be that hard, but would take more than just cropping. And this effect doesn’t fall in the impossible range, like a star between the tips of a crescent moon, or maybe either type of eclipse during the quarter moon, so it is unlikely to be found in a unicorn shot or the like. It is just a very unusual perspective that I wanted to appreciate for what it was and share with my friends.
By the way, this is the third article (set) I’ve published in the last three weeks involving the moon. But fear not, I’m ready to move on. Thank you for listening.
Nancy took this photograph at the second of two giant panda breeding research bases we visited around Chengdu, China on a tour with our second favorite tour group, Natural Habitat Adventures. It was at the first base that we got our Giant Panda in Tree and Giant Panda in Tree, which we made available a couple of years after the trip. We made this red panda image available just recently. For more information, go to Red Panda.
While at this research base, we also had the opportunity to hold a red panda. Here is a picture of Nancy taken by our guide, Philip He.
I guess now it’s really official – after 36 years, the Woodstock Arts & Crafts Festival will no longer be in Welleby Park in Sunrise the first weekend of December. This is very sad. They actually announced that they were hanging it up several months ago, but maybe I was just having trouble accepting reality. This morning I got word that they took down their website.
We participated five times in Woodstock, won a few awards, and because of their character, they had become probably our favorite festival. And after we decided to stop doing shows in Miami, this Sunrise show became the best opportunity for our hometown friends to see us in action. Penni and her posse have done a lot of good for their community over the years and we will miss them.
For those in the Miami-Dade delegation for whom life must go on, your best chance to see Nancy’s work is now the fledgling festival in Tamarac. Their third annual get-together should be the first weekend next April (2018). They are another small show that is developing their own charm. I’ll have more information about that festival as it becomes available. By then, they will have updated their website.